Feature | Topic: Effects Processing | Sound On Sound, Jun 1989The more imagination you apply to signal processors, the more you can get out of them. Craig Anderton presents 49 tips that take you beyond stock effects and into new ways of creating your own sonic signature. |
Feature | Topic: Buyer's Guide, Effects Processing | Making Music, Dec 1986Which Chorus?Come with us now as we check out more than 20 different chorus boxes and tell you which is best. |
Feature | Topic: Drum Programming, Effects Processing | Sound On Sound, Nov 1993 |
Feature | Topic: Effects Processing | Sound On Sound, Sep 1993 |
Feature | Topic: Effects Processing, Sound Fundamentals | Electronic Soundmaker, Mar 1985EqualisationEqualisation in the studio is a major aspect of most recording work. We take you through the basics and give a guide to some of the better buys. |
Feature | Topic: Effects Processing | Making Music, Feb 1987Aural ExcitersStrange devices that MAKE YOU pay attention. |
Feature | Topic: Effects Processing, Electronics / Build | Polyphony, Sep/Oct 1978 |
Feature | Topic: Effects Processing | Music Technology, May 1991Effects processing is now an integral part of a recording studio - large or small. Aaron Hallas goes back to basics in this introduction to sound treatment. |
Feature | Topic: Effects Processing | Sound On Sound, Nov 1993 |
Feature | Topic: Effects Processing | Home & Studio Recording, Aug 1984Studio Sound TechniquesThe lowdown on Compressor-Limiters, and how to use them. |
Feature Audio | Topic: Effects Processing | The Mix, Sep 1994Thresholds and ratios explained |
Feature Series | Topic: Effects Processing | Making Music, Sep 1986What it cn d fr th horn recordist (note clever typing trick). |
Feature Series | Topic: Effects Processing | Recording Musician, Feb 1993Sound WorkshopWhat's a compressor? Why do you need one? How do you use it? Paul White reveals all. |
Feature | Topic: Effects Processing | Sound On Sound, Jul 1993Masterclass - Noise Gates |
Feature | Topic: Effects Processing | One Two Testing, Dec 1984a family tree for effects pedals |
Feature | Topic: Effects Processing, Electronics / Build | Home & Studio Recording, Aug 1986Abolish sibilance with this well designed, cost-effective addition to the Tanrak. |
Feature | Topic: Effects Processing | Home & Studio Recording, Aug 1984Flanging, phasing, echo and reverb etc. all described in full. |
Feature | Topic: Effects Processing | Electronic Soundmaker, Nov 1984Having fun with digital delays. |
Feature | Topic: Effects Processing | Making Music, Dec 1986There now follows a short delay-ay, a middle-sized delay-lay-ay, and a long delay-elay-lay-ay-y. |
Feature | Topic: Effects Processing | Home & Studio Recording, May 1987There's a lot more to the humble digital delay than meets the eye. Paul White investigates. |
Feature | Topic: Buyer's Guide, Effects Processing | One Two Testing, Dec 1985 |
Feature | Topic: Buyer's Guide, Effects Processing | Sound On Sound, May 1992A Guide to Digital Reverbs, Delays and Multi-Effects UnitsJulian Colbeck takes a look at what's on offer in the world of digital reverbs, delays and multi-effects units, and explains how to choose between them. |
Feature | Topic: Effects Processing | Sound On Sound, Jul 1987Mark Jenkins brings you a round-up of the current state of the digital reverb market. |
Feature Series | Topic: Effects Processing | Sound On Sound, Dec 1989Digital FilteringPART 3: In this final part, Jim Grant builds upon the basic DSP operations of arithmetic and delay, covered in the previous articles, and concentrates on some modern day applications. |
Feature Series | Topic: Computing, Digital Audio, Effects Processing | Sound On Sound, Oct 1989An introductionPART 1: Digital Signal Processing is rapidly becoming more familiar to musicians and home recordists as digital effects become ever more commonplace. Nevertheless, the technology and principles behind it remain a mystery to most. In this new series Jim Grant offers a straightforward explanation of how DSPs work. |